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Хм. Денеска видов дека спотот кој го изреализиравме ние, веќе бил закачен на youtube.com.

Изменето од Александар_А - 16.Јули.2007 во 12:18

OK, ajde pojdete tuka:

http://www.abcweddingproduction.com

...pa potoa kliknete na opcijata videography i poglednete 15 spotovi. Ne se najnovi, no i pokraj toa mozhebi ke vi dadat nekoi idei...

Blagodram Dalton.

Site klipovi se snimani i montirani od mene.

A onoj Elvis... negovata soba e muzej na Elvis Presley. Chovekov ja ima sekoja negova plocha ili kompilacija izlezena do denes, kako i skoro sekoja negova povazhna memorabilija.

So klipcheto na lugjeto sto kradat pari za da go kupat venchaniot prsten sakav da napravem eden komichen segment pokazhuvajki kako seriozni lugje (zetot ima poveke od 40 godini), ako sakaat, mozhat da bidat krajno neseriozni, no determinirani toa da go napravat najseriozno!!! Vo celata rabota pomogna faktot sto nevestata raboteshe vo banka, pa preku nea mozhevme da go izvestime obezbeduvanjeto na bankata deka ke snimame takov segment (za da ne si napravime nepotreben problem), a isto taka sakav da pokazham i eden del od profesionalnata rabota na zetot, pa zatoa posledniot del (kupuvanjeto na neshtata od prodavnicata) e napraveno pred "Canadian Tire" kade sto toj e vraboten vo administracijata.

Onoa sto e vsushnost najproblematichno vo site tie snimanja e faktot deka se e napraveno na svadbeniot den (osven mislam onie dve "love walks"). Toa znachi deka mora se da bide organizirano i izvedeno mnogu precizno i od prva raka (nema vreme za "take two", "take three"...) i rabotata so kamerata mora da bide pomalu-poveke bezgreshna za da ponudi materijal koj mozhe da e podaten za dobro montiranje. Ova stanuva osobeno teshko koga se planira video montiranje na osnova na nekoja specifichna pesna (da lichi kako muzichki spot). Togash kamermanot mora vo tekot na snimanjeto da razmisluva kako montazher, znaejki gi site elementi na pesnata (ritamot i zborovite) i trudejki se tie da gi pokrie so snimen materijal koj ke dozvoli fluentno sostavuvanje bez dupki megju segmentite.

Зоки, клипчињата се одлични, штета што неможам да ги симнам, а баш би сакал да и ги покажам на жена ми. Да види што и како се работи надвор.

Aj i jas da post-am link do edno moe delo:

       "About the Coffee"

http://www.youtube.com/watch?v=rMalsNeRk4g

  
Ultra kratko 52sec filmche.

Interesnoto e shto e snimano so DSLR.
Nikon D70s.

Prichinata beshe shto sakav
da postignam 35mm motion picture DoF.
Shirinata na senzorot (APS-C)
odgovara priblizhno na frame-ot kaj 35mm movie camera.

Shteta shto nemav nekoe pobrzo staklo,
pa da otvoram f2.8 ili duri f2.0.
Ubavo da ja "zamatam" pozadinata.
Snimav so stock lensot.
Na wide f3.5 max...


Malata motor drive brzina od samo 3fps,
beshe prichina da "akterite" glumat vo Slo-Mo.
Posle koga kje se podigne brzinata da bide
gore dolu normalno.

Normalno znacheshe samo 10fps.
Brzinata minimalno ja dignav
za da ne bide epten burleski.

Maliot fps, tuk-tamu neregularniot Drive mode i FilmFX
epten pridonesoa da liche na star film...
:)



Beshe zabavno...

===============

Sklopeno vo AE.


Pozdrav

Igor


PS: Silent movie e.

PPS: E dobro bi mi doshle 10fps od 1D mark III...




Изменето од Igor-T - 21.Јули.2007 во 21:17

Se koristat DSLR za stop motion animacija.

Fakt za stop motion animiraniot film na Tim Burton:

   "CORPSE BRIDE"

* This is the first feature to be made with
   commercial digital still photography cameras
   (31 Canon EOS-1Ds MARK II SLR cameras with Nikon Lenses)
   instead of film cameras.

od IMDb ---> http://www.imdb.com/title/tt0121164/trivia


Interesna kombinacija neli?
Canon tela + Nikon stakla....
:)


Pozdrav

Igor


PS:  "About the Coffee" ne e stop motion animation.

Hehe,
Znaev deka tuka Zoran "Nikon-dzijata"K kje reagira!



Eve shto veli Chris Watts, visual FX consultant na filmot:

====================================================
"Re: Nikon vs. Canon Corpse Bride Filmed w/Canon 1dm2 I was the one who came up with the idea to shoot the movie digitally.

We started off using Nikon D2H bodies. I was against this, but I was convinced to use the Nikons by a conspiracy of factors which I can go into someday if anyone cares.

I had always wanted to use the Canons (because I am a Canon guy, for one), but mostly due to the superior image quality.

Anyway, we bought 24 D2H's and had all manner of problems with them, the most serious being a severe hue noise pattern in the exposure range of -2.5--3.5 EV. So we dumped the Nikons and bought 27 Canon Mark IIs. (one of which I still use!)

We did not get any special deal from Canon, except for assistance in getting the bodies. We got some from Canon UK, but most from the US through Samy's.

The video cameras that we used were mounted to look THROUGH the eyepiece, by the way, not OVER it, as has been reported.

And yes we used Nikon glass partly because we already owned it, but also because Canon does not provide any mechanism for manually adjusting the iris. Canon's lenses ALWAYS open up between exposures, with Nikon lenses, all you need to do is remove the little pin and the lens will stay stopped down to whatever value you choose with the lens ring. This minimizes the inevitable exposure differences between the thousands of consecutive exposures necessary to make a movie. Most of the Canon lenses we tested were fine, but as you stop down, the problem gets worse. This type of flickering can be easily corrected, but, well, when you have a better solution, why bother!

Hope that answers the questions, if anyone wants more info I am happy to help.

chris watts

====================================================

od http://www.fredmiranda.com/forum/topic2/283672/3




Pozdrav

Igor